![]() ![]() If you’re looking to reduce hum and buzz stemming from electrical motor noise or poorly grounded electrical gear, then this is the tool you need. It also comes with dynamic noise profiles, transient detection, temporal smoothing, optional M/S processing, frequency emphasis filter, solo noise mode, and more. ![]() Noise analysis and adaptive modes can be used to tame noise. Overall, DeNoise 2 has been designed to reduce noise without impacting the original source material. With version 2 comes dynamic noise profiles, which helps identify noise that changes and fluctuates over time while reducing it. You can also employ this feature after you’ve let DeNoise 2 analyze the problematic areas in noise profile mode. Use the adaptive mode to reduce unwanted artifacts automatically. This plugin is the ideal choice for reducing wind, hiss, buzz, and camera noise. That includes DeNoise 2, DeHum 2, DeClick 2, and DeClip 2 – the names themselves tell you a lot about what each of them does.įirst, let’s look at DeNoise 2. Every plugin has been enhanced, with improved processing algorithms and user interfaces. Version 2 brings with it several upgrades. I promised you an easy way to download all of the presets I’ve spoken about in the podcast and here it is! Get your free Adobe Audition presets.As its name would suggest, Acon Digital’s Restoration Suite 2 features multiple tools to help you achieve cleaner audio. The compression is simply a light 2:1 setting above -20dB but it makes a difference to raw voice sessions. It’s not too heavy and this is important especially if you’re going to compress the voice again when you drop it into the multitrack. There is a really cool multiband compressor integrated from iZotope into Adobe Audition CC but I find the native Audition ‘Dynamics Processing’ perfectly fine for compressing voice over sessions. Listen to some examples in the podcast audio. Echo is great for when you end a radio jingle or DJ drop so that the radio station name or host name echoes away into a music track. I have created my own custom echo that works great when you mix vocals with music and imaging sfx. There are many echo presets in Adobe Audition some of which are really decent and others are not designed to be used on vocals. A little wetness on the reverb adds a great sound to audio production although other radio imaging producers may argue that reverb is old fashioned and that you should knock out low and high frequencies on a voice over so that it cuts through anything – just like those fancy men’s razors you see advertised on TV! 2. This is not something I would apply in the waveform view of Adobe Audition rather the multitrack as it involves a number of different effects (including Dynamics Processing, Graphic Equalizer and Studio Reverb). Some voice artists don’t need this process but in many cases sessions come in dry and need a little brightening up. I push up the high range frequencies to give a little sparkle to the voice. I add some of my own custom EQ to voice overs, like my own, and other voice over artists that perform work for Music Radio Creative. ![]()
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